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Auteursarchief: Marijke Schaap

VIDEOS BELONGING TO THE REPORT

Reference recording 1: http://tinyurl.com/gs3j3tr

Valerius at Het Haags Notuh Festival (analysis): http://tinyurl.com/h8shfpl

Shostakovich Symphony 5: on DVD


Reference recording 2: http://tinyurl.com/zv76e4d and https://youtu.be/BCFg6sYEEeg

Rehearsal Valerius 13th of October 2015: http://tinyurl.com/hxxxl6h

Nine videos of professional concertmaster that I analyzed:

http://tinyurl.com/gsyreng (Beethoven)

http://tinyurl.com/zcqftst (Beethoven)

http://tinyurl.com/jgju45x (Beethoven)

http://tinyurl.com/hpah6b7 (Dvořák)

http://tinyurl.com/z9ehyfj (Dvořák)

http://tinyurl.com/hdzbw4u (Dvořák)

http://tinyurl.com/guqf6t3 (Mozart)

http://tinyurl.com/guqq4vo (Mozart)

http://tinyurl.com/j9m7ucq (Mozart)

Tuning the Codarts Symphony Orchestra: http://tinyurl.com/jgha4mb

Three videos of rehearsal of the Codarts Symphony Orchestra:

http://tinyurl.com/znbg8a7

http://tinyurl.com/jut8ra2

http://tinyurl.com/hstc34w


Reference recording 3:

http://tinyurl.com/gvhbunt (part 1)

http://tinyurl.com/zoj3kjm  (part 2)

http://tinyurl.com/zuxjq5r (part 3)

Videos made by Esther Visser:

cm1 http://tinyurl.com/zndv2y5

cm2b http://tinyurl.com/zc2e99t

cm3a http://tinyurl.com/gr4jzw9

cm3c http://tinyurl.com/j7y2n9x

cm4b http://tinyurl.com/zdg2e6o

cm5a http://tinyurl.com/jjx8hak

cm5b http://tinyurl.com/hqzdb8x

cm6d http://tinyurl.com/hcj2kov

denkproces2 http://tinyurl.com/za4gb2x

denkproces4 http://tinyurl.com/jtkvagx

 

Interview Nadia Wijzenbeek and Joris van Rijn

Written description of an interview with Nadia Wijzenbeek and Joris van Rijn, concertmasters of the Radio Filharmonisch Orkest, after having visited one of their rehearsals (with Bernard Haitink).

Artistic Research interview Nadia Wijzenbeek en Joris van Rijn uitgewerkte versie

Interview Igor Gruppman

Written description of an interview with Igor Gruppman, concertmaster of the Rotterdam Philharmonic Orchestra, after having visited one of their rehearsals.

Artistic Research interview Igor Gruppman

Analysis of YouTube-videos

In this document I made an analysis of three different pieces:

Beethoven Symphony 5, 1st mvt, beginning

Dvorak Cello Concerto, 1st mvt, beginning

Mozart Symphony 40, 3rd mvt, beginning

I made the analysis the same way as I analysed one of my own videos (13th of October, rehearsal Valerius), so I made a description of the movements and actions of the concertmaster.

Artistic Research analyseren YouTube-filmpjes

House rules for a concertmaster: a new list

– (S)he is the leader of the first violin section.

– (S)he is the leader of the entire orchestra.

– (S)he is the first solo violinist and has to perform all concertmaster soli. Sometimes (s)he’ll perform as a soloist.

– (S)he has to lead group or string rehearsals.

– (S)he is responsible for the bowings while keeping the desired articulation in mind, or (s)he needs to translate the desired articulation into the right bowings.

– (S)he is the intermediary/contact between the orchestra and the conductor, and…

– … (s)he has to lead in a physical way and has to be able to show the conductor’s intentions (and eventually his (/her) own) with movements and body language. This means his (/her) non verbal communication must be very clear. To achieve this, (s)he must follow both the conductor and the last stand at the same time (and all the other players involved, especially the principles). Also (s)he must be able to make a difference between visible, physical leading (which happens before a note/entrance, simultaneously with the conductor) and the actual playing (which happens after the physical leading).

– In case an orchestra member doesn’t function well, (s)he must speak with this person in order to get him (/her) back on track.

– (S)he must create social cohesion if necessary.

– (S)he must help other players to function well and…

– … (s)he must be a mental support if necessary by being supportive, courageous and by giving trust.

– (S)he must always have an answer to all questions, or try to find it.

– Very important: (s)he must inspirate and motivate the entire orchestra.

 

 

Several leadership styles (according to Daniel Goleman) could be used to achieve this:

1) Visionary/authoritative: focuses on the vision or where the organization needs to go (end result) while leaving the actual details up to the team.

2) Coaching: leader acts as a mentor, personal development of employee is important.

3) Affiliative: focus on group dynamics, good relationship, trust.

4) Democratic: allowing the group to collaboratively decide on direction and goal. Imput from everybody, high degree of involvement. –> commitment to plan, goal and vision.

5) Pacesetting: focus on performance, extremely high goals. Little room for imput.

6) Commanding/coercive: military, sending people out, detailed instructions.

7) Added by Joris van Rijn: confrontational

 

 

 

 

 

 

 

 

 

 

CSO: Mendelssohn Konzertstück

 

 

Aantekeningen Joris van Rijn en Nadia Wijzenbeek

Zevende leiderschapsstijl volgens Joris van Rijn: confronterend

House rules:

1) he or she

2) inspireren

3) intentions van conductor, evt die van concertmeester

Vertrouwen geven

Solo: “iedereen is voor mij gestopt, nu mag ik”

Eerst aangeven, vervolgens zelf later inzetten: zowel dirigent als achterste lessenaar volgen

 

CSO: Vasks

Recordings of the last rehearsal of the CSO – part 3

 

 

Recordings of the last rehearsal of the CSO – part 2